Posts: Reviews »
Mark Tredinnick, editor. Australian Love Poems 2013. Carlton South, Australia: Inkerman & Blunt, 2014.
~Reviewed by Rona Shaffran
Australian Love Poems 2013, edited by acclaimed Australian poet Mark Tredinnick, is an anthology that will engage poetry readers who love (love) poetry. But, because it is poetry about love, many non-poetry readers are also more likely to pick it up, read it, hold it or buy it as a gift for others. Widening the readership, appeal and profile of Australian poetry through the expression of love was a key goal in publishing the book.
Tim Bowling. Circa Nineteen Hundred and Grief. Kentville, NS: Gaspereau Press, 2014.
~Reviewed by Jean Van Loon
The first poem sets the hook:
This is for men and women
of certain years, who,
having left prints on the sand,
remember the feeling
of castles in their fingers (“Childhood”).
This autobiographical collection brings to life a remembered childhood in the Fraser Delta—the river, salt tides, salmon, herons, fog, rain—and a family wresting a living from land and sea. The memories range from the innocence of the poet delivering newspapers like his dad, “bike tires whispering down long streets in the rain” [...]
E. D. Blodgett. as if. Edmonton: U of Alberta P, 2014.
~Reviewed by Harold Rhenisch
Blodgett’s latest book in his Apostrophes series is two books in one. Both are contemplations of wisdom and identity. The first is a book of poetry—words laid down in measure, printed on paper. Its words are made of artful language. Listen:
how lightly over the earth
through seed time and all
harvest have the feet
of those who cannot be known
to us trodden in
Eliot did no better in The Four Quartets, which these dance steps echo.
The second book is an energy field, conjured by [...]
Charlotte Rampling Reads Sylvia Plath to the music of Benjamin Britten. Danses Nocturnes. Place des Arts, Montréal. September 18, 2014.
~Reviewed by Cora Siré
On a recent Friday night, I took my seat in the small theatre of Place des Arts’ Cinquième Salle with more smug detachment than keen anticipation. Charlotte Rampling was about to read the poems of Sylvia Plath accompanied by cellist Sonia Wieder-Atherton playing Benjamin Britten. Never mind that the show, running for three nights as part of Montréal’s Festival international de la littérature, has successfully toured Europe including Spain, [...]
Adrienne Weiss. There Are No Solid Gold Dancers Anymore. Gibsons, BC: Nightwood Editions, 2014.
~ Reviewed by Kimmy Beach
Though it is not her only interest, There Are No Solid Gold Dancers Anymore suggests that Adrienne Weiss is well on her way to joining the best pop culture writers CanPo has to offer: Jeanette Lynes, David McGimpsey and others who don’t care what they should be writing, but write what they love, what draws them. That’s the joy of writing pop culture, and the joy of reading it in its unbridled disregard for [...]
Ricardo Sternberg. Some Dance. Kingston, ON: McGill-Queen’s UP, 2014.
~Reviewed by Jim Johnstone
Music has always been closely associated with poetry, and despite the move away from meter in the twentieth-century, it continues to inform those with a respect for the origins of the art. Whether it’s T.S. Eliot celebrating small moments where humankind is “music / while the music lasts,” or Philip Larkin tempering his ear writing as a jazz critic for the London Daily Telegraph, music is one of poetry’s first principles.
Brazilian-born professor Ricardo Sternberg traffics in music too, though [...]
Fionncara MacEoin. Not the First Thing I’ve Missed. Saskatoon, SK: Thistledown Press, 2014.
~ Reviewed by Emily Davidson
Not the First Thing I’ve Missed, Saskatoon poet Fionncara MacEoin’s debut collection, anthologizes the break and swell of the everyday. The book indexes shortcomings, poverty, addiction, the transience of home, and the promising breadth of nature. Despite the book’s title, it is hard to imagine, with her spare, merciless, fearless verse, that MacEoin misses much of anything at all.
The collection is gathered in three titled sections, each emitting its own distinct hiss. “all the babies [...]
Richard Greene. Dante’s House. Montreal: Véhicule Press, 2013.
~ Reviewed by Peter Richardson
Dante’s House, Richard Greene’s follow up to Boxing the Compass, which won the 2010 Governor General’s Award, shows once again his fluency with blank verse narratives, rhyming couplets, and this time, an extended terza rima account of a summer teaching stint in Siena, Italy. His new book’s opening poems take the reader, for starters, to Tulsa, Oklahoma; post-earthquake Haiti; a Canadian prison; and Yankee Stadium. Greene has been at these catalogues of human experience for over twenty years, and [...]
Leanne Simpson. Islands of Decolonial Love: Stories and Songs. Winnipeg: ARP Books, 2013.
~Reviewed by Marilyn Dumont
Leanne Simpson, Mississauga Nishnaabeg writer, editor, activist and scholar, is the author of two other story collections: Dancing on Our Turtle’s Back and The Gift is in the Making. Islands of Decolonial Love, like her other collections, situates story in the Nishnaabeg narrative tradition and worldview. Her narrators and characters negotiate complex contemporary settings in efforts to regain and repair relationships with one another and the natural world—relationships that are inherent to the Anishnabe worldview [...]
Laurie D. Graham. Rove. Regina, SK: Hagios Press, 2013.
~Reviewed by Danielle Janess
Working at the knot of settler guilt and regional identity, Laurie Graham explores the creation and maintenance of inherited and local memory in Rove, her book-length long poem debut. Swiftly moving, self-assured, plainspoken, loose, funny, and pressing in its occupations, this is a book you read cover to cover in one sitting. And then you read it again. It’s hard to believe this is a first book, so whole, so wholly realized, this persistent, generations-long tracking of a single [...]